Monthly Archives: February 2010

Criticism of a Criticism: Today’s Dregs Tomorrow’s Celebs

Recently, I read a newspaper article by Andrea Peyser (New York Post) regarding this year’s Fashion Week.

I didn’t really take issue with her caterwauling regarding the “good ol’ days”, as we expect to hear from the elderly. Nor did I take issue with the antiquated opinions regarding fashion, how the writer found it hard to adapt to the evolution of what is celebrity,  nor the fact that anything that wasn’t outrageously expensive was simply too jejune for her.

Rather, I took issue with the group of people that she calls “the Dregs”, those people who need to stand and wait for a seat at a fashion show. She regards them as losers, but in her dotage, she has overlooked exactly who these people are. “The Dregs”, as she calls them, consist of fashion students, budding stylists, and young, new designers that don’t happen to have the money nor the fame to be blessed with a designated seat. These are the people that have a true and real passion for fashion. These are the people who are driving the industry. These are the people that might one day become people whom she will need to kowtow to.

Let us not forget that Coco Chanel once tried to become a cabaret singer (it didn’t work out), worked in a tailoring shop, and the first store that she opened failed. Tom Ford dropped out of NYU and originally concentrated on acting in television commercials. And Thom Brown started off as a salesman in a Giorgio Armani showroom. These are the people that, in their early beginnings, she would have called “the Dregs”.

As she blithely dismisses “the Dregs”, she also dismisses the actual future of fashion. I wonder where, exactly, she thinks designers and stylists come from?

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Adrienne Landau Fall 2010 Fur Collection: YUM!

WOW! Finally, a collection that was truly luxurious. A true vision to behold! Styled by Rebecca Weinberg, best known for her work on “Sex And The City”, the models were posed throughout the venue in diva stances worthy of SJP herself! The collection was a mix of different colored fox, rabbit, and mink. Truly a glamorous nod to Siberian chic!

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Karen Sabag Fall 2010: Back To An Age Of Elegance

Karen Sabag, best known for her designer wedding gowns, presented her collection for Fall 2010 to a pack house. The whole collection was definitely Park Avenue chic! Beautifully tailored cocktail dresses, elegant fitted gowns and an amazing wedding gown had her guests constantly applauding in approval. The bead work that she used in her gowns was exquisite. Ms. Sabag truly took clothing to an artistic level. Definitely a masterpiece collection! Sooo Chic!

Click here for more pictures of the show

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Michael Bastian Fall 2010: Hot DAMN!

Joe: Definitely one of our favorite shows this season, Michael Bastian presented his Fall 2010 collection to a packed house. Seated front row was none other then John Malkovich! The collection immediately evoked the term “Lumber Jack Chic”. Mixing plaid shirts with grey and black pants and jackets where every so often, a bright splash of pink would appear. An awesome collection worthy of investigating further…and purchasing!  Can’t wait to shop!!

Ed: Michael Bastian’s line definitely emphasizes the masculine, a trend that I’ve been seeing a lot of lately and have been very happy with. Suits and vests in heavier fabrics of earthtone hues and plaid shirts with flourishes that emphasize the shoulders stood out in his collection. Everything radiated a kind of masculine strength and repose mixed with calm elegance.

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General Idea Fall 2010 Collection

Joe: With an interesting mix of motorcycle glitz and chic vagabond, designer Bumsuk Choi presented his Fall 2010 collection this past Monday. Beautifully tailored menswear with a soft edge would be a fitting description. Motorcycle jackets is silver and gold were presented along side spider web thin sweaters. Truly New York chic!

Ed: In particular, I loved the metallic motorcycle jacket, which I would love to get my hands on! The clothes definitely had a very urban edge, with city pavement greys, asphalt blacks, stop sign reds and LED blues marked with strong and decisive lines and borders. Yet all of the clothing seemed to be very wearable and very comfortable. These were definitely fashions for New York.

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